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always representative of the playing characteristics of the original instruments. Another group of explanations attribute the decline to the movement of musical culture from chamber music, held mainly in private venues for smaller audiences, to larger venues and ensembles. 83 Although the recorder achieved a greater level of standardization in the Baroque than in previous periods, indeed it is the first period in which there was a "standard" size of recorder, ambiguous nomenclature and uncertain organological evidence have led to controversy regarding which instruments. 2 The sound of the recorder is often described as clear and sweet, and has historically been associated with birds and shepherds. It has a cylindrical bore about.6 mm (0.54 in) at the highest measurable point, narrowing.2 mm (0.52 in) between the first and second finger holes,.7 to.8 mm (0.500.50 in) between the second and third finger holes, and contracting.5 mm (0.45 in) at the seventh hole. Indeed, much of what is known about the technique of playing the recorder is derived from historical treatises and manuals dating to the 16th18th century. Finally, recorders with a downward extension of a semitone are becoming available; such instruments can play a full three octaves in tune. Sawyer and joey dating, fabulous Matches is South Africas favourite Online Dating site. The eventual success of the recorder in the modern era is often attributed to Arnold Dolmetsch. 1580 four in five parts and one in six parts.



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87 This work is also notable for being perhaps the only significant surviving historical solo work for bass recorder. Repertoire edit During the baroque period, the recorder was traditionally associated with pastoral scenes, miraculous events, funerals, marriages, and amorous scenes. The printed version was written in a kostenlose sexdating app vernacular form of Early New High German, and was aimed at wealthy urban amateur musicians: the title translates, briefly, as "Music, translated into German. 5 Other languages edit Until the mid 18th century, musical scores written in Italian refer to the instrument as flauto, whereas the transverse instrument was called flauto traverso. These changes may be archetypal to those found on csakans and flageolets, and constitute an inchoate justification for the continuous development of the Baroque recorder into its 19th-century relatives. Lander Archived at the Wayback Machine. This chart is a general guide, but by no means a definitive or complete fingering chart for the recorder, an impossible task. Its pipes play at F4 and. For example, a recorder with lowest note G4 may be known as a G-alto or alto in G, a recorder with lowest note D5 (also "sixth flute as a D-soprano or soprano in D, and a recorder in G3 as a G-bass or G-basset.



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